New Orleans to Los Angeles: Forty Six hours; no gas stops but I do get to go by Bayou Teche
One of the things I had been looking forward to on my recent camping trip to Death Valley – also my first visit – was seeing the night sky from one of the darkest places on earth. Being an eastern urbanite that sky is something that I am otherwise routinely deprived of. I wasn’t fully aware of the depths of my deprivation until one summer night sitting outside my dwelling in Arroyo Seco, near Taos, I glanced up and really saw the Milky Way for the first time. It was almost as if I were looking at the underside of a very sparkly lid – it was that tangibly imposing to me. I had been in a few planetariums in my life and in a few dark areas; but nothing I ever saw displayed in any of them came close to looking at the real thing hanging there over my head that night. So, I figured this would be one of the many treats to expect in the Valley. A super dark sky and a big ol Milky Way.
Typically, I paid no attention to the state of the sky before arriving. I just go. I thought I would see exactly what I intended to see: A gazillion stars spread out endlessly across the night sky. The moon had different plans and for most of my stay was up early shining like a flood light and not setting until late the next morning. But even had I done the research ahead of time my visit schedule wasn’t going to change. Fortunately I’m going to be under wide open western skies for some time and the Valley is only a short 5 hour drive from my base camp in Los Angeles. There will be other chances, assuming the Mayans weren’t hiding the real date somewhere.
I went with what I had and since I had to be up early for sunrise lighting I was also able to get moonsets. I suppose I could have done the moonrise but when it’s full like this it’s very difficult to acquire any contrast on its face and a moon without contrast just looks like – well, a big flood light. Nothing especially interesting about that.
I already posted one of my Zabriskie shots on Google+ in the Death Valley Photographers Community – a part of which I now count myself, but nothing’s come through the blog yet so here you have a sunrise scene that I took from the top side of the Texas Springs campground area – nice when the shots come to you – and then a shot of the moon setting on the western side of the Valley over the Panamint Range. These were shot on different days because the sunrise shots I got from the Zabriskie overlook just didn’t work. (I feel as if I’m lucky when any of them turn out.)
I also have to admit that this sunrise caught me by surprise. I was a little late getting out of the tent on this morning and hadn’t expected to see anything other than a bright morning sky. The gear was locked in the car. The camera had no lens mounted. So I had to scramble. Hand held. The shutter was a little on the slow side to get the image and it suffered as a result from a lack of sharpness. But still. I can’t remember the last time I saw so much sunfire in the morning sky. It is what it is. And that ‘is’ works for me.
I was more prepared for the moonset and I like the result. The geology and the astronomy that manifest their ways in Death Valley make it a wondrous place. This Valley certainly earned its name. It holds the bones of many men and animals who arrived in its depths at the wrong time and became permanent footnotes in its long and violent history. Even today taking anything in this place for granted can cost you your next sunrise – all your next sunrises. No matter. It is a visual delight and one of the grandest exhibitions Nature puts on anywhere on earth.
Since I’ve been recalcitrant in getting any of the première shots online let me add one more; this of the Mesquite Sand Dunes near Stovepipe Wells. I’m sure as people make return trips to DV that favorites places established in earlier visits become replaced by new ones that hadn’t quite resolved for them earlier. This place is simply too grandiose (is that redundant?) for anyone to make a selection for all time. But they can one at a time – and I did. The Dunes. They are mesmerizing. They are also easy to get lost in if you fail to hold the high ground. I posted a couple of videos on Facebook of my walking round these piles of sand and acquired a pretty spiffy self-portrait that is posted in the Selfy-Sunday Group on Google +. This shot is my favorite – so far. It’s a soft exposure and I just like the way so many of the colors that define this place blend together in it.
This was taken late morning and so the light here is also from the sunrise. The area in the foreground I think is referred to as The Devil’s Corn Field but I’m not entirely sure. If it weren’t so late and if I weren’t so lazy, I’d look it up. As it is, if you’re really curious – or perhaps know – you can chime in.
I first heard of this Arch in the Alabama Hills from a photog I ran into at Zabriskie Point one morning. I’ve spent a couple of days scouting the location and tomorrow hope to get situated just before sunrise and see how well my planning works out. This afternoon just as the sun was setting over the edge of Eastern Sierra I snapped a few shots of the Arch and these ones in silhouette worked rather well. IMHO
Sunsets were elusive during my 4 days at Acadia NP. I did manage a couple of semi ones as well as a late sunrise (because I was late) from the summit of Cadillac Mountain. But the two I liked the most presented themselves as I was driving out of Acadia heading north toward Canada.
I hadn’t had in mind chasing a sunset – something I will occasionally do – but as I was driving through a little town called Bigelow, about 20 miles south of the US/Canada Border I came upon Lake Falstaff. It was about 30 minutes before sundown and it appeared to me that the image might be worth waiting for. So I stopped and waited. It was a good idea. This turned out to be one of those shots that just kept on giving because the Lake caught a near perfect reflection of the smoky cloud etchings above it.
Near perfect until….
I continued on toward the border and came upon Chain Lakes that were geo-positioned in an east-west manner. The sky, which at Falstaff had been an orangery blue had now turned crimson. What you see here is what I saw as I rounded a curve in the road. I slammed on the brakes. There was no place to pull over: rock wall on the right; lake on the left. I put the blinkers on and hoped no one would crash into the car – or me – and I got the shot. It is as if it was taken on another day in an entirely different part of the world. the colors, the clouds the reflections – all different. I couldn’t chose between the two so I didn’t.